InoCore d.o.o.

Seven hundred renders,
one single look

The challenge was never one render. The challenge was keeping seven hundred of them consistent.

6 models × 2 colours × 3 sizes · 700+ renders

Client
InoCore, Sežana
Scope
Renders, batch rendering, configurator
Products
6 models in 2 colours and 3 sizes
Renders
700+ in one month
The client

Who AirShield are

InoCore of Sežana. Decorative protective covers for air conditioners and heat pumps, Italian design, the Blade and Provence models. Every piece is made to measure, in white or anthracite, matt or gloss. Delivery across the EU, sold through partners.

The problem

Simple enough on paper, and not in practice: six products, each in three sizes and two colours, each mountable on a wall or on the ground, and each needed in studio, technical and in-context versions. The startup had its own web team, so they needed only the visual part — but all of it, and within a month.

01

A model out of production data

The client had CAD files made for manufacturing, not for rendering: too heavy, without clean topology and without materials. Every product was remodelled and textured so it could pass through an automated render pipeline. The same model then also yields the orthographic views for the data sheets — front, side, back and top — in both colours.

Orthographic views, both colours out of one model

AirShield cover Blade in anthracite, orthographic view 1, 3D render for the data sheetThe same view in the white finish
AirShield cover Blade in anthracite, orthographic view 2, 3D render for the data sheetThe same view in the white finish
AirShield cover Blade in anthracite, orthographic view 3, 3D render for the data sheetThe same view in the white finish
AirShield cover Blade in anthracite, orthographic view 4, 3D render for the data sheetThe same view in the white finish
AirShield cover Blade in anthracite, orthographic view 5, 3D render for the data sheetThe same view in the white finish
AirShield cover Blade in anthracite, orthographic view 6, 3D render for the data sheetThe same view in the white finish
AirShield cover Blade in anthracite, orthographic view 7, 3D render for the data sheetThe same view in the white finish
AirShield cover Blade in anthracite, orthographic view 8, 3D render for the data sheetThe same view in the white finish
AirShield cover Blade in anthracite, orthographic view 9, 3D render for the data sheetThe same view in the white finish
AirShield cover Blade in anthracite, orthographic view 10, 3D render for the data sheetThe same view in the white finish
02

One look across the whole catalogue

The set-up, the light and the framing are decided once, then every product in every colour and size passes through them. That is why the renders do not drift: the same light, the same tonal response, the same trace of shadow. At seven hundred images it is the only way the library reads as one day of photography rather than twenty different ones.

The studio set, every frame in both finishes

AirShield cover in anthracite, studijski kader 1, 3D renderThe same frame in the white finish
AirShield cover in anthracite, studijski kader 2, 3D renderThe same frame in the white finish
AirShield cover in anthracite, studijski kader 3, 3D renderThe same frame in the white finish
AirShield cover in anthracite, studijski kader 4, 3D renderThe same frame in the white finish
AirShield cover in anthracite, studijski kader 5, 3D renderThe same frame in the white finish
AirShield cover in anthracite, studijski kader 6, 3D renderThe same frame in the white finish
AirShield cover in anthracite, studijski kader 7, 3D renderThe same frame in the white finish
AirShield cover in anthracite, studijski kader 8, 3D renderThe same frame in the white finish
AirShield cover in anthracite, studijski kader 9, 3D renderThe same frame in the white finish
AirShield cover in anthracite, studijski kader 10, 3D renderThe same frame in the white finish
03

A scene for every use

More than twenty scenes were built, each for its own purpose: arrangements on plinths for the website and social, pairs in both colours side by side for comparison, gobo lighting for a more advertising tone, and close-ups of the louvres, the mounts and the mark on the housing. All from the same models, so the product is the same product everywhere.

Arrangements for the web and for advertising

AirShield covers on plinths, scene 3D render 1
AirShield covers on plinths, scene 3D render 2
AirShield covers on plinths, scene 3D render 3
AirShield covers on plinths, scene 3D render 4
AirShield covers on plinths, scene 3D render 5
AirShield covers on plinths, scene 3D render 6

Close-ups

Detail of the louvres and mount of the AirShield cover, 3D render 1
Detail of the louvres and mount of the AirShield cover, 3D render 2
Detail of the louvres and mount of the AirShield cover, 3D render 3
Detail of the louvres and mount of the AirShield cover, 3D render 4
Detail of the louvres and mount of the AirShield cover, 3D render 5
Detail of the louvres and mount of the AirShield cover, 3D render 6
04

The product on a house, in both colours

A buyer is not buying a cover, they are buying how their façade will look. So every setting is built twice: once with the white cover and once with the anthracite, on the same house, in the same light, from the same frame. Choosing a colour becomes a comparison of two images rather than a description.

The same house, the colour swapped

AirShield cover on a house, anthracite finish, 3D renderAirShield cover on a house, white finish, 3D renderAirShield cover on a house, anthracite finish, 3D renderAirShield cover on a house, white finish, 3D renderAirShield cover on a house, anthracite finish, 3D renderAirShield cover on a house, white finish, 3D render

Two more settings, each as a pair

AirShield cover beside a house, anthracite finish, 3D render
AirShield cover beside a house, white finish, 3D render
AirShield cover beside a house, anthracite finish, 3D render
AirShield cover beside a house, white finish, 3D render
05

The brand in three dimensions

The brand was created by the agency MWEV Group; we rendered it: the mark as a cut piece on a concrete plinth, embossed into chrome, on the edge of stacked panels and as signage on the roof of a building. The same scenes as the product, only this time the subject is the logo.

Renders of the mark

The AirShield mark as an orange cut piece on a concrete plinth, 3D render
The AirShield mark embossed into a chromed surface, 3D render
The AirShield mark on the edge of stacked panels, 3D render
AirShield signage on the roof of a building, 3D render
06

Where the renders live

The online store was built by MWEV Group and Kabi, and the renders are everywhere in it: the home page, the product cards, the gallery on a product page and the before/after slider where a bare outdoor unit is replaced by a covered one. No photography had to be commissioned, because every frame needed already existed in the library.

Home page and product page

The AirShield store home page, with a render in the header
An AirShield store product page with its render and gallery

Before/after slider and product list

The before/after slider on the AirShield site: the bare and the covered outdoor unit
The AirShield product list, the Blade and Provence models, with studio renders

air-shield.si

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